'All Our Tears': The Lingering Consequences of War in the Western Balkans

The title "All Our Tears" on a white background, translated into two other languages on the left side on a red background
Black and white photo of a woman holding a framed image of a family

"Untitled," Atdhe Mulla.

Black and white photo of a man walking down a narrow street.

“Roma testimony about the war in 2001 in Tetovo, North Macedonia, March 28, 2022,” Arbnora Memeti.

Hands outstretched in a circle holding snapshots of people.

“Untitled,” Borislav Pešić Blagoja.

A man leans his hand against a large boulder.

“Untitled,” Atdhe Mulla.

Dark interior of a concrete structure.

“Untitled,” Atdhe Mulla.

Two shirts hang on a clothesline outside.

“Missing persons from 2001, March 10, 2022,” Nake Batev.

Four hands outstretched holding torn pieces of paper with text on them.

“Untitled,” Borislav Pešić Blagoja.

A woman sitting at a table holds up an 8x10 photograph of a woman that looks like her.

“Katerina Stoilevska, March 3, 2022,” Arbnora Memeti.

An older woman holds up a photograph of a family that has been torn in half.

“Untitled,” Borislav Pešić Blagoja.

An older man in a black coat holds a fist to his face, possibly holding back emotion.

“Untitled,” Atdhe Mulla.

A youth with a backpack on walks away from the camera, around a monument in a city square.

“Untitled,” Atdhe Mulla.

Two outstretched hands hold a photo of a family that has been ripped in half.

“Untitled,” Borislav Pešić Blagoja.

The ruins of a building with trees growing in it.

“The ruins of the 'Brioni' Motel in Chelopek, Municipality of Brvenica, North Macedonia, April12, 2022,” Nake Batev.

A man stands with his head bowed in the middle of a cemetery.

“Untitled,” Atdhe Mulla.

Two sets of hands are outstretched, holding family photographs between them that have been ripped in half.

“Untitled,” Borislav Pešić Blagoja.

A bulldozer moves earth around a the bottom of a pit.

“Untitled,” Atdhe Mulla.

Plaques with the names of people adorn a monument.

“Untitled,” Atdhe Mulla.

A memorial with two wreaths laid in front.

“Memorial plaque at the Graveyard of the Killed Civilians in Ljuboten (border between Kosovo and North Macedonia), March 31, 2022,” Arbnora Memet.

A hand on the left holds the left half of a ripped photograph, with a different hand on the right holding up the right half of the photograph.

“Untitled,” Borislav Pešić Blagoja.

Two people with luggage wait at a bus stop.

“Emigrations from North Macedonia, April 25, 2022,” Arbnora Memeti.

Two men carry a wrapped bundle on a litter between them.

“Untitled,” Atdhe Mulla.

A person holds a poster with images of 10 people with names on it, while looking down at a gravestone.

“The gravestone plaques and a photograph of the civilian victims of the Zymberi family at the Graveyard of the Fallen Martyrs in Slupchane, North Macedonia, March 29, 2022,” Nake Batev.

A single hand holds two ripped halves of a photograph together.

“Untitled,” Borislav Pešić Blagoja.

Two boys walk down a lane in the country with a little girl between them.

“Untitled,” Atdhe Mulla.

A man stands in the lane in front of a stone church.

“A memorial place of internally displaced persons, the Church Saint Mary (Sv. Bogorodica) in Matejče, North Macedonia, April 5, 2022,” Nake Batev.

An old man holds two ripped halves of a photograph and looks out between them.

“Untitled,” Borislav Pešić Blagoja.

A woman with a head covering sits in a room, where the walls are covered with framed portraits of people.

“Untitled,” Atdhe Mulla.

The exterior of a stone mosque.

“Charshi Mosque (Charshi dzamija) in Prilep, Macedonia, April 4, 2022,” Nake Batev.

A man points at photographs of people covering the wall of a room.

“Untitled,” Atdhe Mulla.

The ruins of a building from the inside looking out.

“Hotel ‘Kristal,’ Kumanovo, North Macedonia, March 29, 2022,” Arbnora Memeti.

A woman holds up two halves of a ripped photograph and looks out from between them.

“Untitled,” Borislav Pešić Blagoja.

A man looks into the windows of a building.

“Untitled,” Atdhe Mulla.

A woman holds two halves of a ripped photograph together.

“Untitled,” Borislav Pešić Blagoja.

A family visits the gravestone of a child, crying and laying flowers.

“Untitled,” Atdhe Mulla.

The photography exhibition “All Our Tears” weaves together the stories of victims from the wars in the Western Balkan region in the 1990s. It consists of 34 original photographs, taken by four photographers in various locations in Kosovo, North Macedonia, and Serbia. The photographs feature artifacts such as family photos of missing persons as well as sites of atrocities, mass graves, and memorials, bringing into sharp focus the tragedy of war and its devastating consequences on the lives of victims.

The exhibition had its final opening at the gallery in the Council of Europe’s Palais de l’Europe, in Strasbourg, France, in June 2023. In 2022, it traveled through the region, with openings in Belgrade, Serbia; Prishtina, Kosovo; and Skopje, Macedonia.

The exhibition was part of “Strengthening Inclusive Victim Voices, Transforming Narratives,” a three-year project funded by the European Union (EU) that brought together civil society organizations and victims’ groups in Kosovo, North Macedonia, and Serbia, along with the international organizations ICTJ and PAX to develop meaningful, victim-led peacebuilding and reconciliation initiatives in the region. As part of the EU project, the organizations also developed a set of shared, victim-centered, and context-specific transitional justice principles that victims’ groups in the Western Balkans can use to guide their work at the national and regional levels.

Audience members look at photographs displayed on the wall.
PHOTO: Attendees walk through the “All Our Tears” exhibition in the Council of Europe’s Palais de l’Europe, in Strasbourg, France, in June 2023. (ICTJ)

Throughout the 1990s, as Yugoslavia broke apart, its territories became brutal battlegrounds and the sites of the most serious conflict and abuses in Europe since World War II. The abuses included widespread attacks against civilians, enforced disappearances, population expulsions, systematic rape, and the use of concentration camps. Between 1991 and 2000, more than 140,000 people were killed, and almost four million others were displaced. The issue of the missing continues to haunt the region: At the time hostilities ended, an estimated 35,000 people were unaccounted for, and many families are still waiting for answers regarding the fate of their loved ones.

“All Our Tears” shines a light on the experiences of the families of the missing and deceased as well as internally displaced persons in the region, and seeks to mobilize broader public support in their search for truth and justice. “This regional project exemplifies a remarkable collaboration among diverse groups, transcending borders and fostering unity in the pursuit of truth, justice, and healing for families affected by the wars in ex-Yugoslavia,” explained Teodora Zahirović, the public relations manager at Civic Initiatives, a Serbian civil society organization that participated in the project and helped organize the exhibition.

For more information on “All Our Tears,” including detailed photo captions, see the exhibition catalogue.